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I started out playing clarinet when I was maybe 8 or 9. It was fun for a while, and taught me the basics of reading music. I never really liked it that much though, and dropped it when I left elementary school.
In Junior High, I started playing drums. I took Percussion twice a week at lunch hour, which let me learn several instruments over the course of 3 years. Mallet instruments like vibraphone and marimba, snare drum for work on the basic rudiments, and of course drum set as well.
In high school I pulled together a drum kit with pieces scrounged from pawn shops. Once I had a kick, snare, and hi-hat, I could start jamming with my friends who were also getting started.
Later we formed a hardcore band called No Offense. That was Ian Hart on guitar, Jake Dambergs on bass, Alfred Wooley on vocals, Jimmy (oh man, I forget his last name) on guitar, and me on drums. It was a lot of fun for a few years... we only broke up when I was moving away from Halifax in 1993.
Around that time I started getting more into African and Latin music. This was mostly congas for me. We formed a group called Batuque that played around Halifax quite a bit. We busked a lot, and learned a lot of pieces that we could perform in shows. At one of those shows, we opened for Afro Musica. They asked me to join them on congas.
Afro Musica was (and still is) primarily a soukous band. I played with them for a few years (at the same time as No Offense and Batuque). I quit the band when I moved to Geneva, but they continue playing. The only original member is Ed Matwawana, the lead singer.
Finally, I also played in a street samba band based in Halifax, called Samba Nova. We basically copied some of the rythms from Brazillian Carnival samba and played around town.
Ah, so much fun and so many good memories! Lately, I'm lucky if I get to jam with friends once every few months. I still love music and still love to play though.
Six songs, most of which the band had been playing for years before recording them. They tend to follow the typical soukous groove - i.e., they all have guitar solos.
This was a fun album to do, but really I wish we had just recorded live. Afro Musica is the kind of band that really shines live - when all the people are dancing it brings you up a notch. Still worth a listen though. You can hear all the songs in their entirety on the Afro Musica site.
Unfortunately I don't have a current scan of the cover. This is Paul Atanya and Alex Atiol's recording of Didinga music, from southern Sudan. It's mostly thumb-piano based (kalimba is the most common name I've heard for this instrument, but that's not what Paul called it and it has several other names). Paul and Alex sing and play the thumb-pianos and bass, I play the congas.
Really interesting vocals, and the thumb-pianos always sound cool. I like this album a lot.
Again, no image unfortunately. This is really too bad because it's a cool - hand-lettered, with a masked cut-out of the bat child in the centre.
A few songs, but the recording is so poor it's painful to listen to. Also, you need a turntable to be able to play it (which I don't have).
Hopefully someday I'll actually have recordings of these available...
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